LED video walls, IMAG cameras, projection and livestream, with backup encoders and protected signal paths so a freak accident is a two-minute fix, not a keynote-killer.
The nightmare every planner carries is the screen going dark during the keynote. We build against it: backup gear, protected and ramped cable paths, and spare runs staged before doors.
At the Renatus National Conference a cart severed our main fiber line ten minutes before doors, and the room never knew, because our crew re-ran it and started on time. That's the difference between good gear and a crew that solves problems under a clock.
Every proposal spells out exactly what's included and what's optional. No surprises.
One person owns your run-of-show start to finish, you always know who's in charge.
Backup gear and protected signal paths, staged before doors. The feed doesn't drop.
You see exactly what your event includes and how it comes together, with nothing buried.
4,000+ bands mixed. We do the buttoned-up general session and the concert on the same stage.
Both have trade-offs. LED is brighter and needs no throw distance; projection can be softer and more flexible at very large sizes. We recommend based on your room and whether you're shooting cameras at the screen.
We run backup encoders and protected signal paths, and we test end-to-end before doors. Redundancy is standard, not an add-on.
Image magnification, live cameras putting close-ups of your speakers or performers on the big screens so the back of the room sees everything.
By room dimensions, sightlines and content. We'll render it to scale so you see exactly how it looks before you commit.
Tell us the date and venue and we'll send a proposal, usually the same day.
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